性と愛をテーマに、さまざまな監督がそれぞれのラブストーリーを描く「Love＆Eros CINEMA COLLECTION」2ndシーズンの1作。男に間違われるほどボーイッシュな少女・純は、上京してすぐに所持金を全て盗まれてしまう。途方に暮れていた純だったが、その場で男性モデルにスカウトされ、業界入り。仕事は順調だが、女であることを偽って生活することにストレスを感じ始める。加えて、行き場のない純を居候させてくれているカメラマン助手の哲郎のことが気になりはじめて……。

一部以马拉松运动为题材的电影。

一部以马拉松运动为题材的电影。

苏见欢（姜卓君 饰）是一个普通的90后女孩，生长在一个破碎的家庭之中。不幸的童年经历给苏见欢的内心蒙上了一层阴影，她时常感到非常的孤独，又不知道该把这份孤独倾诉给谁听。在一个又一个难过的夜晚，是电台主持人秦朗（苗驰 饰）温暖的声音包围和抚慰着她，然而在某一天，秦朗的节目突然停播了，秦朗也彻底的失去了踪迹。 　　一晃眼多年过去，虽然苏见欢并没有忘记自己曾经的配音梦想，可是现实太残酷，为了能够在这个社会上生存下去，她不得不出卖自己的灵魂，当起了恶俗的网络女主播。一天，苏见欢收到了一箱磁带，这箱磁带带她回到了她梦想的原点。

讲述了四位挚友在追逐梦想的过程中不得不面对现实的冲击的故事。

讲述了四位挚友在追逐梦想的过程中不得不面对现实的冲击的故事。

Set during the insurgency of 1863, the story focuses on a tragic romance between a poor gentlewoman and a rebel noble. After a bloody battle a unit of insurgents have been wiped out and only one survived, but badly wounded. He eventually finds shelter and care from a landsteward's daughter, hiding in a burned-out manor with an old servant

本作讲述被家人同事折腾得心力交瘁的离婚女性，某日突然与美国背包客展开合租的温馨喜剧。49岁的东京居民美久子与语言不通的文森特同居时订立四条规则，在文化碰撞中摸索新生。

In this four and a half hour documentary or filmic tavelogue, Ulrike Ottinger tries to impart new ways of seeing a foreign culture. "In my previous films I have dealt with the themes of exoticism, minorities and their differing role behaviour within their own culture. Now I am interested in expanding this theme, in getting to know a 'real exoticism' in a foreign land and in a different culture. I am attempting to conduct a visual discourse with my camera about exoticism as a question of point-of-view. 　　In making the film, I was influenced by Chinese naturepainting: by the use of the scroll, which not only demands a different method of painting, but a different way of viewing - rolling out the scroll, focusing in on details, wandering to and fro, viewing piecemeal. So if I was filming a market square, for example, I'd pan very slowly and steadily across the square, rather than trying to capture the image in toto. 　　– Ulrike Ottinger

In this four and a half hour documentary or filmic tavelogue, Ulrike Ottinger tries to impart new ways of seeing a foreign culture. "In my previous films I have dealt with the themes of exoticism, minorities and their differing role behaviour within their own culture. Now I am interested in expanding this theme, in getting to know a 'real exoticism' in a foreign land and in a different culture. I am attempting to conduct a visual discourse with my camera about exoticism as a question of point-of-view. 　　In making the film, I was influenced by Chinese naturepainting: by the use of the scroll, which not only demands a different method of painting, but a different way of viewing - rolling out the scroll, focusing in on details, wandering to and fro, viewing piecemeal. So if I was filming a market square, for example, I'd pan very slowly and steadily across the square, rather than trying to capture the image in toto. 　　– Ulrike Ottinger